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  <id>urn:lj:livejournal.com:atom1:kriegshund</id>
  <title>Reality Crashes My Brain</title>
  <subtitle>kriegshund</subtitle>
  <author>
    <name>kriegshund</name>
  </author>
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  <updated>2007-07-25T13:15:34Z</updated>
  <lj:journal userid="13356217" username="kriegshund" type="personal"/>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:kriegshund:1341</id>
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    <title>Meyer Notes 1 - Some Basics</title>
    <published>2038-01-19T03:14:07Z</published>
    <updated>2007-07-25T13:15:34Z</updated>
    <category term="meyer"/>
    <category term="rapier"/>
    <category term="longsword"/>
    <content type="html">&lt;p align="left"&gt;So, I started re-reading Joachim Meyer's &lt;em&gt;The Art of Combat&lt;/em&gt; the other day, and as per the suggestion of one of my teachers, I thought I might take a few notes.&amp;nbsp; I am interested currently in Meyer's description of the longsword and of the rapier.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Sources"&gt;I'm reading &lt;a href="http://fm.greenhillbooks.com/greenhill/FMPro?-db=greenhillbooks.fp5&amp;amp;-format=record%5fdetail.htm&amp;amp;-lay=layout%201&amp;amp;-sortfield=author&amp;amp;-sortorder=descend&amp;amp;title=The%20Art%20of%20Combat&amp;amp;-max=10&amp;amp;-recid=33694&amp;amp;-find="&gt;Jeffrey Forgeng's translation&lt;/a&gt; (Greenhill Books, 2006).&amp;nbsp; A facsimile of Meyer's text is available &lt;a href="http://www.higginssword.org/guild/study/manuals/meyer/index.html"&gt;here&lt;/a&gt;&amp;nbsp;and the illustrations &lt;a href="http://www.higginssword.org/guild/study/manuals/meyer_illustrations/index.html"&gt;here&lt;/a&gt;, both courtesy of the &lt;a href="http://www.higginssword.org/guild/study/index.html"&gt;Higgins Armory Sword Guild&lt;/a&gt;.&amp;nbsp; A German transcription and images are available &lt;a href="http://www.freifechter.org/cgi-bin/cowman/content/fechtbuecher/meyer/meyer"&gt;here&lt;/a&gt;, courtesy of &lt;a href="http://www.freifechter.org/cgi-bin/cowman/content/start/start"&gt;Die Freifechter&lt;/a&gt;.&lt;/div&gt;&lt;p align="left"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;a name="cutid2"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Division of Combat"&gt;&lt;u&gt;Division of Combat&lt;/u&gt;: Any combat can be divided into three parts: the Beginning, the Middle, and the End.&amp;nbsp; The Beginning or Onset (&lt;em&gt;Zufechten&lt;/em&gt;) is when one lays against the opponent, using cuts delivered from the various stances.&amp;nbsp; The Middle or Handwork (&lt;em&gt;Handtarbeit&lt;/em&gt;) is when one uses binds, winds, snaps, chnages, deceptions, etc. to strike at the opponent.&amp;nbsp; [Note the assumption that the beginning cut is not expected to strike your opponent but that you will have to work after the onset to defeat him.]&amp;nbsp; The End or Withdrawal (&lt;em&gt;Abzug&lt;/em&gt;) is when one withdraws from the combat unharmed.&lt;/div&gt;&lt;p align="left"&gt;&lt;br /&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;/font&gt;&lt;/p&gt;&lt;a name="cutid3"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Division of Combatant - Longsword"&gt;&lt;u&gt;Division of Combatant - Longsword&lt;/u&gt;:&amp;nbsp; The division of the combatant is important in that it defines the possible openings on your opponent and the appropriate stance to defend a particular area of your own defense.&amp;nbsp; In longsword, the division of the combatant is rather simple: he is divided into four quarters: upper, lower, right, and left.&amp;nbsp; This easily imagined by drawing a vertical &amp;nbsp;line through the body from head to foot and then a horizontal line through the chest.&amp;nbsp; Meyer further divides the combatant by drawing a second horizontal line through the eyes, thus dividing the combatant's head into four quarters as well.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/kriegshund/pic/00001k0c/"&gt;&lt;img height="240" alt="" width="192" border="0" src="http://pics.livejournal.com/kriegshund/pic/00001k0c/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;(Image courtesy of Higgins Armory Sword Guild)&lt;/font&gt;&lt;/div&gt;&lt;p align="left"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;a name="cutid4"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Division of Combatant - Rapier"&gt;&lt;font size="2"&gt;&lt;u&gt;Division of Combatant - Rapier&lt;/u&gt;:&amp;nbsp; In rapier, the division of the combatant is a little more involved.&amp;nbsp; As before, the combatant is divided into left and right by a vertical line.&amp;nbsp; However, two more vertical lines are drawn, one&amp;nbsp;through each shoulder (as per the left-most figure in the first image below).&amp;nbsp; Furthermore, three diagonal lines may drawn from left to right &amp;nbsp;through the combatant, though the chest, the hips, and thighs (as per the center figure in the first image below).&amp;nbsp; These three lines may also be drawn from right to left, creating a series of Xs through the combatant (as per the second image).&amp;nbsp; Finally, three horizontal lines may be drawn through the combatant (as per the right-most figure in the first image below).&lt;br /&gt;&lt;br /&gt;&lt;/font&gt;&lt;a href="http://pics.livejournal.com/kriegshund/pic/0000464w/"&gt;&lt;font size="2"&gt;&lt;img height="240" alt="" width="161" border="0" src="http://pics.livejournal.com/kriegshund/pic/0000464w/s320x240" /&gt;&lt;/font&gt;&lt;/a&gt;&lt;font size="2"&gt;&amp;nbsp; &lt;/font&gt;&lt;a href="http://pics.livejournal.com/kriegshund/pic/00006qyr/"&gt;&lt;font size="2"&gt;&lt;img height="240" alt="" width="151" border="0" src="http://pics.livejournal.com/kriegshund/pic/00006qyr/s320x240" /&gt;&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;(Images courtesy of Higgins Armory Sword Guild)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;font size="2"&gt;The purpose of these lines is inprincipally to guide cuts against your opponent.&amp;nbsp;&lt;/font&gt;&lt;br /&gt;&lt;/div&gt;&lt;p align="left"&gt;&lt;br /&gt;&lt;/p&gt;&lt;a name="cutid5"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Division of Sword"&gt;&lt;u&gt;Division of the sword&lt;/u&gt;:&amp;nbsp; The sword is first divided into two principal parts at its mid-point: the forte (&lt;em&gt;Stercke&lt;/em&gt;) and the foible (&lt;em&gt;Schweche&lt;/em&gt;).&amp;nbsp; But, it may be further divided into four parts: the&amp;nbsp;Grip (Hilt - &lt;em&gt;Gefess&lt;/em&gt;),&amp;nbsp;the forte, the middle - taken equally from the forte and the foible - and the foible.&amp;nbsp; The blade also has a "front" and a "back".&amp;nbsp; The "front" of the blade or Long Edge is the edge from your fingers extending toward your opponent (marked LAN.S. (&lt;em&gt;Lange Schneide&lt;/em&gt;) in the image below).&amp;nbsp; The "back" or Short Edge is the edge facing your thumb (marked KV.S. (&lt;em&gt;Kurtze Schneide&lt;/em&gt;) in the image below).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/kriegshund/pic/00007z2e/"&gt;&lt;img height="125" alt="" width="320" border="0" src="http://pics.livejournal.com/kriegshund/pic/00007z2e/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;(Image courtesy of Higgins Armory Sword Guild)&lt;/font&gt;&lt;/div&gt;</content>
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